gerard butler phantom of the opera interview

'But I offered you a drink, and you didn't take it. So I learned my lesson: If you're having fried termites for lunch, set me a place at the table.' So I say, 'How about a little water?' And I'll never forget this: Buckley's nose slowly lifts into the air, and he says, 'OhhHe went through with it, but he wasn't there. I go in, and he rubs his palms together and asks, 'A little Scotch?' Now, how can I drink Scotch? I'll go nose first into the carpet. I show up at his door at eleven in the morning, haven't eaten in thirty-six hours, sharp as a razor. Buckley had the world's greatest vocabulary, and if he didn't like you, he could cut you to shreds.

The worst interview I ever did was with William Buckley, the conservative commentator. 'You can have whatever you want - vodka, gin?' 'So we're going to imagine we're on a train right now?' The squint is going away, and the grin is becoming wider. Someone I thought I could trust, and who'd trust me enough to take me home with them.' I hardly had any money, so I'd buy a ticket and look for an empty seat next to the right passenger. 'We're in good shape, though, because I learned to interview while traveling around the world - getting on trains and meeting people. His eyes squint with suspicion, but he's grinning. Gerry's head cocks, and his face splits into opposing expressions. 'I was told to come to this address and have a conversation with Gerry. Australia? New Zealand? I'm usually pretty good at this. Why? You want me to tell you a joke or something?'

How can you not like a guy who has a pinball machine and a pool table in his living room? There's a pinball machine and a pool table.

She leads me to a couch inside and goes to get him. I ring the bell and a woman answers and says she's Gerry's assistant. I send a quick text to my editor as I park the car: 'Guy's got a nice house, that's for sure.' The front door makes me feel as if I'm in Europe, where a door could be four hundred years old.

Gerard butler phantom of the opera interview